Live to Screen Performances
Your local community cinema is also a great place to enjoy live arts events. With your support we have upgraded the Leconfield Hall's technical equipment to enable live streamed theatre, opera, ballet and music for you enjoyment.
Following on from the success of the last two years, we are pleased to be showing the Royal Opera House 2019/20 Season which includes some very exciting performances. The performances will be beamed live to our cinema screen in full surround sound.
Tickets £16.50 including booking fees - please be advised to pre-book tickets as these performances are extremely popular. Please arrive at least 15 mins before the performance begins.
Don Pasquale, a wealthy old bachelor, is outraged when he hears his nephew Ernesto intends to marry the impoverished widow Norina. He determines to marry himself and disinherit Ernesto. Ernesto and Norina despair, but their friend Doctor Malatesta promises to help them – and teach Pasquale a lesson. Malatesta persuades Norina to disguise herself as his sister, then presents her to Don Pasquale as a potential bride. Pasquale is so delighted with the young woman’s docile behaviour that he demands they marry at once.
The marriage takes place – witnessed by a fake notary – after which the young bride becomes utterly overbearing and unpleasant, tormenting her ‘husband’. When Pasquale discovers a note from his ‘wife’ arranging a rendezvous with a lover, he determines to confront her and end his misery. The conspirators are now set to reveal their trickery, but will Don Pasquale forgive them?
Concerto: Youthful energy and technical precision are combined in Kenneth MacMillan’s virtuoso ballet, set to Shostakovich’s Second Piano Concerto.
Enigma Variations: The essence of British ballet, with music by Elgar, period designs by Julia Trevelyan Oman and Ashton's signature choreographic style.
Raymonda Act III: The final act of Petipa's grand ballet classic, which contains some of the greatest choreography in Russian ballet, was adapted by Rudolf Nureyev.
Toy maker Dr Coppélius seems to have a beautiful young woman in his house: Coppélia, who sits and reads on his balcony. Franz and his fellow young villagers are curious about her and how she ignores them all. Franz’s fiancée Swanilda is not pleased by Franz’s interest in another woman, but equally curious. When Dr Coppélius goes to the local tavern, the young villagers slip into his house to introduce themselves to the strangely silent young woman.
In the house, they are astonished by several mechanical dolls, including Coppélia. Coppélius returns and throws them all out – except Swanilda, who hides and takes Coppélia’s place. When Franz climbs in through a window, Coppélius drugs him and attempts through magic to put his lifeforce into the mechanical Coppélia. Swanilda is able to trick him into believing his spell has worked. In the inevitable happy ending, Coppélius is placated, and Swanilda happily united with Franz as the villagers celebrate their new town bell.
Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker.
The magician Drosselmeyer transforms the drawing room for a battle between mice and toy soldiers. During the battle, Clara saves the Nutcracker's life - so breaking a magical spell that turned him from a boy to a toy - and the Mouse King is defeated. In celebration, Drosselmeyer sweeps Clara and the Nutcracker off to the Kingdom of Sweets, where they meet the Sugar Plum Fairy and take part in a wonderful display of dances. The next morning, Clara's adventures seem to have been more than just a dream.
The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break.
On her 16th birthday, Aurora discovers the spindle and pricks her finger. She falls into an enchanted sleep, and the whole palace sleeps with her. One hundred years later, Prince Florimund discovers the palace, hidden deep within a great, dark forest. He wakes Aurora with a kiss.
When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely ill.
Rodolfo is painfully aware that he cannot afford the medicine and care Mimì needs, and so separates from her. As her sickness takes hold Mimì returns to Rodolfo’s garret. They are joyfully reunited – but, despite the care of Rodolfo and his friends, Mimì dies.
Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme.
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.
Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.
The evil spirit Von Rothbart, arbiter of Odette’s curse, disguises his daughter Odile as Odette to trick Siegfried into breaking his vow of love. Fooled, Siegfried declares his love for Odile, and so dooms Odette to suffer under the curse forever.
Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt. The award-winning production by Damiano Michieletto presents vividly the fast-moving, shocking events brought about by secret love and uncontrollable jealousy. The music is full of Italianate melody in the great choruses that bring the villagers together in celebration and revelry, alongside the solo arias and tense confrontations that provoke violence and tragedy.